Ben Munsey leaped over the fence that June day in 2002. He crashed the party at the Museum of Northwest Art in LaConner, the annual fundraising auction fueled by high-ticket prices. Munsey didn’t have the money and he didn’t believe he should have paid anyway.
Docents guarded the front gates of the museum that fine summer evening, smiling at the ticket holders, but glaring at street urchins like Munsey.
“I’m too told to be an urchin, I’m past fifty years now. I teach English at Skagit Valley College, but I’ll be damned if I’ll pay $150 to eat shrimp off an ice sculpture and speak nonsense with nobodies from Seattle who come to the valley to ride their bikes past fields full of sweating Mexicans picking strawberries. I live here. I’ve been here a long time, before they built this museum. There was an apple tree right here, the tree was here for years, in a field of tall grass, before they built the museum, which I call a mausoleum, a burial place for the living art which once graced this little town, before the swells came and bought it up, and the before the docents came to keep out the riff-raff. But I am talking to myself,” Munsey said.
He spotted Singin’ Dan, who used to live on the river, a former river rat like himself, a denizen of Fishtown and Shit Creek, a slum dog drummer on Bald Island summer nights. “Dan, I thought you didn’t live here any more,” Munsey said.
“Well, I don’t live here anymore,” Singin’ Dan said, “I sort of got married and I sort of live in Olympia now.”
“Okay, so maybe we can sort of get a beer or something,” Munsey said.
And they stood there on the sidewalk, watching the patrons ensconce from polished vehicles. “Pretty soon they’ll have valet parking,” Singin’ Dan said.
Then it was like – not a plan, no, without any intention, or desire, or any voice of complaint or rebellion, but as natural as the tide rising that Munsey and Singin’ Dan drifted around to the back entrance of the museum, where the busboys unloaded the catered dishes, where the portable fence was installed to guard the premises on this special fund-raising evening -- a fence that looked like a double dare to two old hippies.
Munsey and Singin’ Dan – years later they both said “I thought it was your idea” – but it wasn’t anyone’s idea, more like the purest of action, despite being much too old for such a stunt – they leaped over the fence, Singin’ Dan easily and thinner, but Munsey with a beer-filled paunch dragging over the top rail.
It felt like robbing a bank, Munsey said later, you might spend twenty years in prison, but for a few seconds you feel more freedom than you ever felt in your life – like a vision of ecstasy, like breaking the law is even breaking the law of gravity and you’re flying.
They dashed right into the main gallery of the museum, to the fountain of ice festooned with dainty bowls of shrimp and smoked salmon and real wine glasses for the white wine, people talking in summer dresses and heels and linen sport coats, juggling napkins, and some idiot playing the guitar in the corner to give it that lah-di-dah flavor.
Munsey and Singin’ Dan filled up their dainty plates, but the matron came barreling down – it was Kathleen Willens in a stern, very stern voice who came bearing down with the brunt of the law, because she had been told by the bus boys that two old hippies had crashed the gate and leaped over the fence.
In truth, Munsey and Singin’ Dan stood out from the crowd and, besides that, Willens knew them for who they were, knew that Munsey and Singin’ Dan needed to be watched and suspected. She marched up to them and asked to see their tickets, knowing as well as the skies above that they did not have any tickets
Willens could have let them stay, if only for a hoot. How did all that art get to the musuem if it wasn’t for a hoot?
But the hoot was over, there was no more drinking sake at Fishtown. No, by the summer of 2002 it was all in the can, under lock and key at the museum, and creatures like Munsey and Singin’ Dan may as well move on down the road. If you don’t have a ticket that’s just too damn bad.
What is a Poem? I wrote this little prose poem to prove a point. For the seventh time, I was not invited to read my words at the Skagit River Poetry Festival. The nominating committee gets completely anal about their selections. They turned me down because I'm not a poet and I don't write poetry, which is pretty goddam picky if you ask me...... This obsession with classification and genre really gets pathetic..... I happen to be a writer who does not fit well into any category....Do you know how many times they wouldn't hire me at the newspaper because they thought I was a poet? The newspaper says I'm too much of a poet, go away. Then the poetry committee says I'm not a poet because I have committed acts of journalism -- excuse me for complaining. Have a great day.
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